We wanted to let consumers know that whilst winter is always tough, Game makes life a little easier during this time. We created a campaign that could live past just one season, and that focused on ‘Why Winter is Better with Game’, while also being able to use the line “Better With Game” to drive action, and capture moments relevant to consumers, that could live longer than the lifecycle of the campaign. We chose illustration for a number of reasons, namely it was cost-effective, adaptable and allowed us to be comedic, as well as giving the brand a more human approach that it had never taken before.
WINTER IS BETTER WITH GAME. LIFE IS BETTER WITH GAME.
– a light-hearted, comedic take on life in South Africa shown in a locally relevant way and which spoke to our audience and their needs. We rolled out assets for TV; Radio; social; digital; email; print and in-store, creating over 150 assets that were adapted for each channel.
We drove in-store theatre through competitions and cardboard cut-outs of our characters so people could engage with them across touchpoints, including in-store. To save on budget, we stacked landscape video in a portrait format to fit social media, creating cut downs and digital iterations based on locally-relevant events such as load-shedding.
We fleshed out the illustrated characters developed with an antagonist, a protagonist, a nurturer, a provider, a sidekick and various strong lead characters for the TV ads.
Each character had a name, a full backgrounds and had strong character personality traits (for internal use only), so that we truly understood the characters and could write them with their own in-depth background and we could remain true to the characters and remain consistent in our communications. This route is the classic animated sitcom format where we get to develop characters and build on them over time– basically like the The Simpsons.
over 6.98 million impressions
over 68.54 million impressions
more than 10,78 million impressions
more than 150,000 impressions
54,000 views on YouTube
2,900 entries in 3 weeks
Digital assets were adapted so video was suited to Instagram (with cutdowns for stories) and text bubbles were added in order to make the videos comprehensible without sound.
We also created videos for load-shedding that were tactically based, aiming to tap into relevant conversation around the time when the country was having electricity outages.
Digital Assets
Digital assets included: Instagram posts; Facebook posts; Twitter posts (including Christopher automated response posts targeting competitor keywords); FB and IG stories; carousel ads; collection ads; interactive (canvas) ads; emailers; YouTube artwork and videos; GSP search ads; GDN banners and homepage banners, each requiring different iterations every week over a three-week period.